الدرامـــــــــا.. الفكشن .. ومشكلتي معهـــــم.. ..

[يارب لطفك]

السلام عليكم ورحمة الله وبركاته ..



صراحه منتداكم جداً متميز .. باركـ الله فيكم وفي جهودكم ..



أنضميت إليكم لكي تساعدوني لاحرمكم الله الأجر ..



فأتمنى من أعماق قلبي ممن لديه القدره على مساعدتي أن لا يتوانى في ذلكـ ..


ولكم جزيل الشكر ..


ومشكلتي هي أن دكتورتنا هنديه الأصل ومانعرف نتفاهم معها ..
رغم إن شخصيتها جداً رائعه ومتعاونه إلا أننا نواجه صعوبه في امتحاناتها .. رغم مذاكرتنا ..


تعطينا شئ بسيط لكن يتعب في الحفظ ..


والمشكله فينا نحن السعوديين لا نستطيع العيش بدون ترجمه ..


وهي دائما تنزل لنا الملخصات في مكتبة الكليه ونحن علينا المذاكره ..
صحيح أنه شئ جيد ان تساعدنا وتجلب لنا الملخصات بنفسها إلا أن هناكـ مشكله أنها تطلب تلخيصها في أسطر تقريباً أكثر من 10 أسطر ..
وهنا مربط الفرس .. لاننا يجب أن نفهمها ثم نلخصها ..



لذلك أول شئ فكرت فيه سعودي انجلش .. فأتمنى أن لا تردوني خائبه .. ولكم خالص دعائي ..


أولاً : الدراما..


Doctor Faustus


طلبت منا ..


شخصيته : وجبتها لكم عشان ماتتعبون وتدورون عليها .. :smile (84): تعبت من الفصحى..!!!!


المطلوب : تلخيصها في أكثر من 10 أسطر .. مع الترجمه إن أمكن ..


Faustus


Faustus is the protagonist and tragic hero of Marlowe’s play. He is a contradictory character, capable of tremendous eloquence and possessing awesome ambition, yet prone to a strange, almost willful blindness and a willingness to waste powers that he has gained at great cost. When we first meet Faustus, he is just preparing to embark on his career as a magician, and while we already anticipate that things will turn out badly (the Chorus’s introduction, if nothing else, prepares us), there is nonetheless a grandeur to Faustus as he contemplates all the marvels that his magical powers will produce. He imagines piling up wealth from the four corners of the globe, reshaping the map of Europe (both politically and physically), and gaining access to every scrap of knowledge about the universe. He is an arrogant, self-aggrandizing man, but his ambitions are so grand that we cannot help being impressed, and we even feel sympathetic toward him. He represents the spirit of the Renaissance, with its rejection of the medieval, God-centered universe, and its embrace of human possibility. Faustus, at least early on in his acquisition of magic, is the personification of possibility
But Faustus also possesses an obtuseness that becomes apparent during his bargaining sessions with Mephastophilis. Having decided that a pact with the devil is the only way to fulfill his ambitions, Faustus then blinds himself happily to what such a pact actually means. Sometimes he tells himself that hell is not so bad and that one needs only “fortitude”; at other times, even while conversing with Mephastophilis, he remarks to the disbelieving demon that he does not actually believe hell exists. Meanwhile, despite his lack of concern about the prospect of eternal damnation, -Faustus is also beset with doubts from the beginning, setting a pattern for the play in which he repeatedly approaches repentance only to pull back at the last moment. Why he fails to repent is unclear: -sometimes it seems a matter of pride and continuing ambition, sometimes a conviction that God will not hear his plea. Other times, it seems that Mephastophilis simply bullies him away from repenting.
Bullying Faustus is less difficult than it might seem, because Marlowe, after setting his protagonist up as a grandly tragic figure of sweeping visions and immense ambitions, spends the middle scenes revealing Faustus’s true, petty nature. Once Faustus gains his long-desired powers, he does not know what to do with them. Marlowe suggests that this uncertainty stems, in part, from the fact that desire for knowledge leads inexorably toward God, whom Faustus has renounced. But, more generally, absolute power corrupts Faustus: once he can do everything, he no longer wants to do anything. Instead, he traipses around Europe, playing tricks on yokels and performing conjuring acts to impress various heads of state. He uses his incredible gifts for what is essentially trifling entertainment. The fields of possibility narrow gradually, as he visits ever more minor nobles and performs ever more unimportant magic tricks, until the Faustus of the first few scenes is entirely swallowed up in mediocrity. Only in the final scene is Faustus rescued from mediocrity, as the knowledge of his impending doom restores his earlier gift of powerful rhetoric, and he regains his sweeping sense of vision. Now, however, the vision that he sees is of hell looming up to swallow him. Marlowe uses much of his finest poetry to describe Faustus’s final hours, during which Faustus’s desire for repentance finally wins out, although too late. Still, Faustus is restored to his earlier grandeur in his closing speech, with its hurried rush from idea to idea and its despairing, Renaissance-renouncing last line, “I’ll burn my books!” He becomes once again a tragic hero, a great man undone because his ambitions have butted up against the law of God




وطلبت بعد الثيم :


Themes


Sin, Redemption, and Damnation


Insofar as Doctor Faustus is a Christian play, it deals with the themes at the heart of Christianity’s understanding of the world. First, there is the idea of sin, which Christianity defines as acts contrary to the will of God. In making a pact with Lucifer, Faustus commits what is in a sense the ultimate sin: not only does he disobey God, but he consciously and even eagerly renounces obedience to him, choosing instead to swear allegiance to the devil. In a Christian framework, however, even the worst deed can be forgiven through the redemptive power of Jesus Christ, God’s son, who, according to Christian belief, died on the cross for humankind’s sins. Thus, however terrible Faustus’s pact with Lucifer may be, the possibility of redemption is always open to him. All that he needs to do, theoretically, is ask God for forgiveness. The play offers countless moments in which Faustus considers doing just that, urged on by the good angel on his shoulder or by the old man in scene 12—both of whom can be seen either as emissaries of God, personifications of Faustus’s conscience, or both.
http://imagec10.247realmedia.com/RealMedia/ads/Creatives/default/empty.gif (http://oascentral.sparknotes.com/RealMedia/ads/click_lx.ads/www.sparknotes.com/lit/doctorfaustus/743712248/Middle/default/empty.gif/7644496d2f6b75313853384142647853?x)
Each time, Faustus decides to remain loyal to hell rather than seek heaven. In the Christian framework, this turning away from God condemns him to spend an eternity in hell. Only at the end of his life does Faustus desire to repent, and, in the final scene, he cries out to Christ to redeem him. But it is too late for him to repent. In creating this moment in which Faustus is still alive but incapable of being redeemed, Marlowe steps outside the Christian worldview in order to maximize the dramatic power of the final scene. Having inhabited a Christian world for the entire play, Faustus spends his final moments in a slightly different universe, where redemption is no longer possible and where certain sins cannot be forgiven




وبعدين مقطـــع وتعليق :


2. MEPHASTOPHILIS: Why this is hell, nor am I out of it.
Think’st thou that I, who saw the face of God,
And tasted the eternal joys of heaven,
Am not tormented with ten thousand hells
In being deprived of everlasting bliss?
O Faustus, leave these frivolous demands,
Which strike a terror to my fainting soul.
FAUSTUS: What, is great Mephastophilis so passionate
For being deprivèd of the joys of heaven?
Learn thou of Faustus manly fortitude,
And scorn those joys thou never shalt possess.
(3.76–86)


Explanation for Quotation 2 >> (http://www.sparknotes.com/lit/doctorfaustus/quotes.html#explanation2)
This exchange shows Faustus at his most willfully blind, as he listens to Mephastophilis describe how awful hell is for him even as a devil, and as he then proceeds to dismiss Mephastophilis’s words blithely, urging him to have “manly fortitude.” But the dialogue also shows Mephastophilis in a peculiar light. We know that he is committed to Faustus’s damnation—he has appeared to Faustus because of his hope that Faustus will renounce God and swear allegiance to Lucifer. Yet here Mephastophilis seems to be urging Faustus against selling his soul, telling him to “leave these frivolous demands, / Which strike a terror to my fainting soul.” There is a parallel between the experience of Mephastophilis and that of Faustus. Just as Faustus now is, Mephastophilis was once prideful and rebelled against God; like Faustus, he is damned forever for his sin. Perhaps because of this connection, Mephastophilis cannot accept Faustus’s cheerful dismissal of hell in the name of “manly fortitude.” He knows all too well the terrible reality, and this knowledge drives him, in spite of himself, to warn Faustus away from his t-errible course.


وأخيراً :


تبغى short Summary


أعرف إني طولتها عليكم .. سساعدوني الله يسعدكم .. ويفرج كربكم ..


لإن الامتحانات ع الابواب وهذا اللي معنا في الامتحان ..


وأنا نااويه أذاكره إن شاء الله في عطلة الربيع ..

هذا بالنسبه للدراما ..!!!!!

[يارب لطفك]

وثانيـــــــــاً : الفكشــــــــن ..

ومعنا فيه ..
Robinson Crusoe

ومعنـــــا شخصية فرايدي

والمطلوب تلخيصها في 10 أسطر .. مع الترجمه إن أمكن ...

وهذي هي :
Friday

Probably the first nonwhite character to be given a realistic, individualized, and humane portrayal in the English novel, Friday has a huge literary and cultural importance. If Crusoe represents the first colonial mind in fiction, then Friday represents not just a Caribbean tribesman, but all the natives of America, Asia, and Africa who would later be oppressed in the age of European imperialism. At the moment when Crusoe teaches Friday to call him “Master” Friday becomes an enduring political symbol of racial injustice in a modern world critical of imperialist expansion. Recent rewritings of the Crusoe story, like J. M. Coetzee’s Foe and Michel Tournier’s Friday, emphasize the sad consequences of Crusoe’s failure to understand Friday and suggest how the tale might be told very differently from the native’s perspective.
Aside from his importance to our culture, Friday is a key figure within the context of the novel. In many ways he is the most vibrant character in Robinson Crusoe, much more charismatic and colorful than his master. Indeed, Defoe at times underscores the contrast between Crusoe’s and Friday’s personalities, as when Friday, in his joyful reunion with his father, exhibits far more emotion toward his family than Crusoe. Whereas Crusoe never mentions missing his family or dreams about the happiness of seeing them again, Friday jumps and sings for joy when he meets his father, and this emotional display makes us see what is missing from Crusoe’s stodgy heart. Friday’s expression of loyalty in asking Crusoe to kill him rather than leave him is more heartfelt than anything Crusoe ever says or does. Friday’s sincere questions to Crusoe about the devil, which Crusoe answers only indirectly and hesitantly, leave us wondering whether Crusoe’s knowledge of Christianity is superficial and sketchy in contrast to Friday’s full understanding of his own god Benamuckee. In short, Friday’s exuberance and emotional directness often point out the wooden conventionality of Crusoe’s personality.
Despite Friday’s subjugation, however, Crusoe appreciates Friday much more than he would a mere servant. Crusoe does not seem to value intimacy with humans much, but he does say that he loves Friday, which is a remarkable disclosure. It is the only time Crusoe makes such an admission in the novel, since he never expresses love for his parents, brothers, sisters, or even his wife. The mere fact that an Englishman confesses more love for an illiterate Caribbean ex-cannibal than for his own family suggests the appeal of Friday’s personality. Crusoe may bring Friday Christianity and clothing, but Friday brings Crusoe emotional warmth and a vitality of spirit that Crusoe’s own European heart lacks.

وبعد الثيم ..

Themes



The Ambivalence of Mastery


Crusoe’s success in mastering his situation, overcoming his obstacles, and controlling his environment shows the condition of mastery in a positive light, at least at the beginning of the novel. Crusoe lands in an inhospitable environment and makes it his home. His taming and domestication of wild goats and parrots with Crusoe as their master illustrates his newfound control. Moreover, Crusoe’s mastery over nature makes him a master of his fate and of himself. Early in the novel, he frequently blames himself for disobeying his father’s advice or blames the destiny that drove him to sea. But in the later part of the novel, Crusoe stops viewing himself as a passive victim and strikes a new note of self-determination. In building a home for himself on the island, he finds that he is master of his life—he suffers a hard fate and still finds prosperity.
http://imagec10.247realmedia.com/RealMedia/ads/Creatives/default/empty.gif (http://oascentral.sparknotes.com/RealMedia/ads/click_lx.ads/www.sparknotes.com/lit/crusoe/164815511/Middle/default/empty.gif/7644496d2f6b75313853384142647853?x)
But this theme of mastery becomes more complex and less positive after Friday’s arrival, when the idea of mastery comes to apply more to unfair relationships between humans. In Chapter XXIII, Crusoe teaches Friday the word “[m]aster” even before teaching him “yes” and “no,” and indeed he lets him “know that was to be [Crusoe’s] name.” Crusoe never entertains the idea of considering Friday a friend or equal—for some reason, superiority comes instinctively to him. We further question Crusoe’s right to be called “[m]aster” when he later refers to himself as “king” over the natives and Europeans, who are his “subjects.” In short, while Crusoe seems praiseworthy in mastering his fate, the praiseworthiness of his mastery over his fellow humans is more doubtful. Defoe explores the link between the two in his depiction of the colonial mind.


وأخيــــــــــراً ـ:

تبغى short Summary
وهو هنـــــــا مهم مهـــــــــم جـــــــــــداً ..

الله يجزيه\هــا الفردوس الأعلــــى وراحة البال والرزق والطمأنينه من يساعدني ..

وبارك الله فيكم ..

سبحانك اللهم وبحمدك أشهد أن لا إله ألا أنت استغفرك وأتوب إلبك ..

[N teacher]

[COLOR="Teal"][FONT="Book Antiqua"]

Faustus sits in his study, analyzing different academic disciplines. He concludes that although divinity is the subject that is best, it does not satisfy him. He would rather pursue black magic so that he can be his own god. He orders his servant, Wagner, to get his friends Valdes and Cornelius, who are known to be practitioners of magic. Before they come, the Good Angel and the Evil Angel appear. Although Faustus is not aware of their presence, the Good Angel tries to discourage him, while the Evil Angel urges him to go forward. Valdes and Cornelius come and they offer to teach him the basics of magic.

Through magic, Faustus conjures up the devil, Mephistophilis. Because Faustus has blasphemed against God in his incantations, Mephistophilis has come to see if he can claim Faustus' soul. Faustus makes a deal with Mephistophilis, agreeing to give his soul in exchange for twenty-four years of the devil's service. Mephistophilis goes to get approval of the deal from Lucifer, the Prince of the devils. Lucifer demands that Faustus write the deed with his own blood. When Faustus is done writing the deed, an inscription on his arm reads, "Man, fly!" Faustus wonders if this is a sign from God. But Mephistophilis quickly distracts him with riches and entertainment.

Faustus' first request is to ask Mephistophilis about the nature of hell. Although Mephistophilis explains how he and the other devils are condemned to hell forever, Faustus refuses to believe that hell exists; at least, he thinks hell is not so bad. Faustus then asks for a wife, as well as books on magic, books on the motions of stars and planets and of plants and animals.

Faustus begins to waver in his decision and wishes to repent. When he calls on the name of Christ, Lucifer and Belzebub come with Mephistophilis to visit him. Lucifer diverts Faustus' mind by entertaining him with a display of the Seven Deadly Sins.


وهنا ترجمة وهي من نقل الاستاذ البارع

http://www.saudienglish.net/vb/uploaded/80521_01270220773.doc

[يارب لطفك]

جزاكم الله خير على سرعة الرد لكن هذا السموري طويــــــل جداً

ماأقـــــــــدر أحفظــــــــــه ..!!!!!!!!!!!!!!

إذا فيه مجال يتلخص أصغر شوي ...

وبالنسبه للرابط نفس اللي أنا منزلته مو ملخص ..؟؟؟

آسسفه جداً .. بس محتاجه والله ..

[N teacher]

robinson
هذا اقل شي لقيته و كمان اختصرت لك فيه والله يعينك

short summary
The most notable events in the book detail Crusoe's life alone on an island in the Caribbean Sea.
Crusoe sets sail in 1651 and the voyage starts badly. His first ship is lost in a storm, but he tries again. His second attempt at sea travel ended even worse. He was abducted by pirates and sold into slavery. He eventually escapes and travels to Brazil, where he becomes a wealthy plantation owner. The call to sea, however is too strong. He tries yet another time. This voyage ends in complete disaster. His ship is lost at sea with all hands, except Crusoe. Crusoe finds himself on what he calls The Island of Despair. He salvages what he can from his stricken vessel and proceeds to make a life for himself alone on the island.

He becomes adept at gathering food, such as grapes and melons. He constructs a fortress home and develops a farm. He domesticates goats and learns how to make the tools necessary for life on the island. The years pass by and he continually improves his situation. He is however, alone and he wishes for companionship. His wish is granted when, some time later, Crusoe rescues an inhabitant of a nearby island from cannibals. Because the rescue occurred on a Friday, he names his newfound friend Friday. Friday becomes his loyal companion and friend.

Several more years pass by and an English vessel appears. A mutiny on board left the captain of the ship marooned on the island. Crusoe and Friday ally themselves with the captain and retake the vessel. The mutineers are left stranded on the island. Finally, after 28 years on the island, Crusoe is finally bound back home to England. Friday accompanies his benefactor home.

[N teacher]

روبنسون كروزو رواية من تأليف Daniel Defoeدانيال ديفو,نشرت لأول مرة1719 تعتبر بعض الأحيان الرواية الأولى في الانكليزية. إن هذه الرواية هي سيرة ذاتية تخيلية .. (منبوذ إنكليزي يقضي 28 سنة في جزيرة بعيدة يصادف الهمج و الأسرى و الثوار قبل أن يُنقذ . هذه التقنية تعرف باسم الوثيقة الخاطئة و تعطي شكلاً واقعياً للقصة.

قصة روبنسون كروزو:

يغادر كروزو إنكلترا في رحلة بحرية في أيلول عام1651 مخالفاً رغبات والديه.تسطو القراصنة Salèعلى السفينة و يصبح كروزو عبداً للمغاربة the slave of a Moor .يتمكن كروزو الهرب في زورق و يصادق قائد سفينة برتغالية مِنْ الساحلِ الغربيِ لأفريقيا.كان طريق السفينة إلى البرازيل حيث هناك بمساعدة من الكابتن يصبح كروزو مالك لمزرعة.

ينضم كروزو إلى بعثة لجلب العبيد من أفريقيا , لكنة غرق في عاصفة تبعد أربعون ميلاً في البحر على مدخل نهر Orinoco (أورانوكو) في 30 أيلول عام 1659. يموت جميع رفاق كروزو و يتمكن هو من جلب الأسلحة و الأدوات و التجهيزات الأخرى من السفينة قبل أن تتحطم و تغرق . يقوم في بناء سور في مسكن و كهف , يصنع رزنامة بواسطة صنع علامات بواسطة قطعة خشب . يقوم بالصيد و يزرع الذرة و يتعلم صناعة الفخار و يربي الماعز .. يقرأ الإنجيل و يصبح متديناً فجأة و يشكر الله على مصيره فلا شيء قد فقد منه إلا المجتمع.

يكتشف كروزو cannibals آكلي لحوم بشر يقومون بزيارة الجزيرة ليقتلوا و يأكلوا السجناء , في بادئ الأمر يخطط لقتل the savages الهمج لفظاعتهم لكن يدرك أن ليس لديه الحق لعمل هذا cannibals لم يهاجموه و لم يرتكبوا جريمة بمعرفته . يحلم كروزو بأسر واحد أو أثنين من الخدم بتحرير بعض السجناء وفي الحقيقة، عندما استطاع سجين هُرُوب، يساعد كروزو، يَسمّي رفيقَه الجديد.َ"جمعةَ Friday" بعد يومِ الأسبوع الذيِ ظهر فيهَ، ويُعلّمُه إنجليزية ويُحوّلُه إلى المسيحيةِ.

تصل مجموعة جديدة من السكان الأصليين و يشاركون في وليمة مريعة و يستطيع جمعة و كروزو قتل معظمهم و الاحتفاظ باثنان منهم ( واحد هو والد جمعة و الثاني اسباني) يخبر الاسباني كروزو أن مجموعة من الأسبان الذين غرقوا موجودون على هذه الجزيرة. تبتكر خطة حيث يعود الاسباني و والد جمعة و البقية إلى الجزيرة حيث يبنون سفينة ليبحروا بها إلى ميناء اسبانيا.

قبل أَن يَعود الأسبان، تظهر سفينة إنجليزية؛ و يسيطر الثوار على السفينة و ينووا هِجْر قائدِهم السابقِ على الجزيرةِ.القائد وCrusoe يَستطيعانِ العودة أخذ السفينةَ. و يَتوجّهونَ إلى إنجلترا، و قد تَرْكوا ورائهم ثلاثة مِنْ الثوارِ لاعتماد على أنفسهم وإعلام الأسبان الذي حَدث.يَتركُ Crusoe الجزيرة في 19كانون الأول 1686. يُسافرُ إلى البرتغال لإيجاد صديقه القديمِ، القائد، الذي يُخبرُه بأنّ مزرعتَه البرازيليةَ اهتمت بشكل حسن وقد أَصْبَحَ غنياً. مِنْ البرتغال، يُسافرُ براً إلى إنجلترا، لتَفادي الحوادث في البحر، عن طريق إسبانيا وفرنسا؛أثناء شتاءِ في Pyrenees، هو ورفاقه يَجِبُ أَنْ يَطْردوا هجومَ بالذئابِ الشريرةِ. يُقرّر كروزو بَيْع مزرعته، كعودة إلى البرازيل تَستلزمُ التَحويل إلى الكاثوليكيةِ. لاحقاً في حياة ما بعد الزواج، سَيكونُ عِندَهُ ثلاثة أطفالِ ويُصبح أرملاً، يَعُودُ إلى جزيرتِه لآخر مَرّة.

يَنتهي الكتاب بتلميح حول تكملة التي تفصّلُ عودتَه إلى الجزيرةِ، التي كَانتْ قَدْ اكتشفت.

[M.o_o.N]

N teacher

بارك الله فيك غاليتي و في تعاونك و عطائك الكريم

[M.o_o.N]

وعليكم السلام ورحمة الله وبركاته




Characters



Faustus



The protagonist. Faustus is a brilliant sixteenth-century scholar from Wittenberg, Germany, whose ambition for knowledge, wealth, and worldly might makes him willing to pay the ultimate price—his soul—to Lucifer in exchange for supernatural powers. Faustus’s initial tragic grandeur is diminished by the fact that he never seems completely sure of the decision to forfeit his soul and constantly wavers about whether or not to repent. His ambition is admirable and initially awesome, yet he ultimately lacks a certain inner strength. He is unable to embrace his dark path wholeheartedly but is also unwilling to admit his mistake.



**************************************************


Friday




A twenty-six-year-old Caribbean native and cannibal who converts to Protestantism under Crusoe’s tutelage. Friday becomes Crusoe’s servant after Crusoe saves his life when Friday is about to be eaten by other cannibals. Friday never appears to resist or resent his new servitude, and he may sincerely view it as appropriate compensation for having his life saved. But whatever Friday’s response may be, his servitude has become a symbol of imperialist oppression throughout the modern world. Friday’s overall charisma works against the emotional deadness that many readers find in Crusoe.

[M.o_o.N]

Robinson Crusoe summary
هذا اقصر شئ


Robinson Crusoe is a classic novel written in 1719 by Daniel Dafoe. The story begins in 1651 and describes a series of adventures by the main character, Robinson Crusoe.
Crusoe sets sail in September 1651 and the voyage starts badly. His first ship is lost in a storm. His second attempt at sea travel ended even worse.The call to sea, however is too strong. He tries yet another time. This voyage ends in complete disaster. His ship is lost at sea with all hands, except Crusoe. Crusoe finds himself shipwrecked on what he calls The Island of Despair. He salvages what he can to make a life for himself alone on the island.
Much of the story revolves around Crusoe's life on the island. He becomes adept at gathering food, such as grapes and melons. He constructs a fortress home and develops a farm. He domesticates goats and learns how to make the tools necessary for life on the island. The years pass by and he continually improves his situation. He is however, alone and he wishes for companionship. His wish is granted when, some time later, Crusoe rescues an inhabitant of a nearby island from cannibals. Because the rescue occurred on a Friday, he names his newfound friend Friday. Friday becomes his loyal companion and friend.
Several more years pass by and an English vessel appears. A mutiny on board left the captain of the ship marooned on the island. Crusoe and Friday ally themselves with the captain and retake the vessel. The mutineers are left stranded on the island. Finally, after 28 years on the island, Crusoe is finally bound back home to England. Friday accompanies his benefactor home.

[M.o_o.N]

Dr. Faustus short plot



Dr. Faustus is a classic play that deals with a popular theme, namely, selling one's soul to the devil. Dr. Faustus is brilliant and respected, but he is not satisfied with the rewards that religion and virtue have earned him. He decides to take lessons in conjuring from a two of his friends, and in doing so summons a demon named Mephistopheles. Faustus is quite taken with Mephistopheles and his powers, so he agrees to sell his soul the devil, Lucifer, in exchange for youth and power. He signs his name with his own blood to seal the agreement, despite the warnings of an angel.

The devil is true to his word. With Mephistopheles' help, Faustus becomes the world's most powerful magician. He can do whatever he wants to whomever he desires, including the pope and an emperor. However, he is still ultimately doomed. He is give several chanves to repent throughout his life, but he rejects them all. On his deathbed, he bemoans his fate but refuses to believe that he can be saved. Then Faustus dies and goes to Hell. The chorus, which acts as Faustus' conscience, delivers the plays moral - avoid conjuring, magic, and other ungodly pursuits.



و شوفي هالرابط يمكن يفيدك :)

http://www.saudienglish.net/vb/showthread.php?p=848956

[يارب لطفك]

جزاكن الله خيراً وأسعدكن دنيا وآخره ..

مثل ما أتوقعت ماخيبتو ظني فيكم ..