i want introduction

[زهرة الثلج]

السلاااااااام عليكم



كيفكم؟؟



بلييييييز اذا ممكن حد يساعدني يسويلي


simple introduction about

http://www.automated-testing.com/organiza.htm


كيف ممكن اقدمه كبرسنتيشن؟

حد معه نفس هالموضوع ف بوربوينت ...؟
بعد يومين التسليم بلييييز هيلب مي

عندي امل :)

[M.o_o.N]

عزيزتي انا شايفة ان الموضوع فية مقدمة جاهزة

Introduction

Turn-taking is the fundamental organization of social interaction. Turn transition points are places in conversation when speaker change may or does occur. Turn transition points bound the fundamental conversational unit, the turn. Thus, a turn is a point in ones talk when another may or does speak. Specific criteria for recognizing the turn are defined below.

Arrays help in the understanding of how turns are organized. An array is a series of consecutive turns produced by one speaker and bounded by the turns of another. The method used in this paper allows us to recognize arrays. This approach also allows for the quantitative analysis for the distribution of turns. This analysis provides a means to 1) compare a conversation to some norm and 2) make a comparison between two conversations.



فإذا ممكن تفسري طلبك أكثر


ربي يسهل امورك :)

[زهرة الثلج]

مشكووورة حبيبتي على الرد..

الاستاذ يبا مقدمة بسيطة من عندنا..

خلاص غيرت الموضوع حسيته صعب كبرسنتيشن...

اخترت slips of tongue

thanxxxxxxx mis mooon


ممكن تعطوني افكار ف تقديم البرسنتيشن --->slips of tongue

[M.o_o.N]

Slips of the Tongue



Slips of the tongue are errors involving the uttering (Versprechen), or hearing (Verhören), or writing (Verschreiben), or reading (Verlesen) of a word and which entail an involuntary parody of the word, assuming the word is known. This kind of slip is an ordinary occurrence but is structurally related to the paraphasias found in pathological conditions.

Freud became interested in slips and word play in 1890, and discussed them in his correspondence with Wilhelm Fliess. Both resemble dreams in that they are part of normal behavior although they introduce an incongruous and, in the case of slips of the tongue and dreams, an involuntary element. Freud's interest arose from his conviction that it would be impossible to understand psychopathological processes without having a clear notion of their relation to normal mental processes. It was in The Psycho-pathology of Everyday Life (1901b) that he provided the first and most complete discussion of slips of the tongue, but he discussed them again at length in the Introductory Lectures on Psychoanalysis (1916-1917a [1915-1917]).

In The Psychopathology of Everyday Life, Freud made use of an earlier, essentially functionalist work on slips of the tongue and reading errors (Meringer and Mayer, 1895), which he contrasted with his own theory. He eliminated two hypotheses: that of the "contamination" of the sound of one word by another and that of "wandering" speech images, which interested Freud to the extent that these disturbances were located below the threshold of consciousness (1901b, pp. 57-58). Using numerous examples, some of which are undeniably comical, Freud illustrated the way in which repressed drives return in the disturbance of language.

Slips during reading and writing are not structurally different from those that occur in hearing or speaking, and the same motives are found in both, either libidinal or hostile. But slips provide infinite forms of expression for those drives, while disguising them, and some require a complex effort of interpretation that presupposes familiarity with the life and memories of their author. In general, slips of the pen are not as readily noticed by their authors as slips of the tongue.

Freud sums up the character of slips of the tongue as follows in the Introductory Lectures on Psychoanalysis: "the suppression of the speaker's intention to say something is the indispensable condition for the occurrence of a slip of the tongue." However, the intention can be conscious or unconscious and still produce a slip. "In almost every case in which a slip of the tongue reverses the sense, the disturbing intention expresses the contrary to the disturbed one and the parapraxis represents a conflict between two incompatible inclinations."

Slips are especially interesting when they lead us, in trying to understand them, to dissociate the sound (the signifier) from the meaning contained in the word (the signified). The same was true for the most famous parapraxis made by Freud, forgetting the name Signorelli, to which Jacques Lacan (1966) devoted an entire essay. We find in both word play and jokes, as in slips or the forgetting of names, a complex dynamic and the same processes (displacement and condensation) that Freud showed to be operative in dreams, whose relevance for the study of the unconscious he recognized. Listening for slips of our own often has an immediate revelatory component, similar to that of the patient who hears himself say things that are unknown and yet familiar during the course of analysis.



http://www.nlm.nih.gov/medlineplus/ency/images/ency/fullsize/9978.jpg

http://www.wwten.net/Images/RollingStonesTongueLogo.jpg


:small (229):

[زهرة الثلج]

Thanxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx xxxxxxxx a lot mis moon
والله مدري كيف اشكرج الغاليهـ،


الله يفرج همج مثل ما فرجتي همي..

[زهرة الثلج]

ممكن تعطوني افكار ف تقديم البرسنتيشن --->slips of tongue






:smile (87):

[زهرة الثلج]

:smile (42):