السلام عليكم ورحمة الله وبركاته
قصدك كوتيشن ||تعليق|| صح؟
اريد كونتيست من هذه المقاطع
هذه نص ادبي وهو عطيل لشكسبير وانا بعطيكم المقاطع واريد context من كل مقطع
والله حااولت لكن مااااعرفت تكفون ساااعدوني الله يجزاك خييييير
Act1 sense 1 line 65 70
In compliment extern, ’tis not long after
But I will wear my heart upon my sleeve
For daws to peck at. I am not what I am.
RODERIGO
What a full fortune does the Thick-lips owe
If he can carry’t thus!
IAGO
Rouse him. Make after him, Poison his delight,
Act 1 sense 1 line 85 90
What is the matter there?
RODERIGO
Signior, is all your family within?
IAGO
Are your doors locked?
BRABANTIO
Why, wherefore ask you this?
IAGO
Zounds, sir, you’re robbed! For shame, put on your gown.
Your heart is burst, you have lost half your soul.
Act 1 sense 1 line 166 170
Past thought!—What said she to you?—Get more tapers,
Raise all my kindred. Are they married, think you?
RODERIGO
Truly, I think they are.
RODERIGO
Yes, I really think so.
BRABANTIO
Oh, heaven, how got she out? Oh, treason of the blood!
Fathers, from hence trust not your daughters' minds
. Act1 sense2 (30 32)
You were best go in
OTHELLO
Not I, I must be found.
My parts, my title, and my perfect soul
Shall manifest me rightly. Is it they?
اللي يعرف ياامدرسين وخبيرين تكفوون
الله يجزاكم الجنة
التعديل الأخير تم بواسطة M.o_o.N ; 22-11-2010 الساعة 10:31 PM سبب آخر: الرجاء الاطلاع على قوانين المنتدى حتى لايحذف طلبك مستقبلا
السلام عليكم ورحمة الله وبركاته
قصدك كوتيشن ||تعليق|| صح؟
اختي الله يجزاك خير علي الرد انا اقصد يعني في نفس الحدث مثل وشو شي المهم او وين كان عند هذا الحدث مثل في meeting room والشرح لهذا المقطع واتمني انك فهمتي علي +وجزاك الله بالي تتمنينه امين
التعديل الأخير تم بواسطة استشارية الغد ; 22-11-2010 الساعة 11:18 PM سبب آخر: لاشي
تكفون مالي الا الله ثم انتم
Upppppppppppppppppppp
1. Were I the Moor I would not be Iago.
In following him I follow but myself;
Heaven is my judge, not I for love and duty,
But seeming so for my peculiar end.
For when my outward action doth demonstrate
The native act and figure of my heart
In compliment extern, ’tis not long after
But I will wear my heart upon my sleeve
For daws to peck at. I am not what I am. (I.i.57–65)
التعليق
In this early speech, Iago explains his tactics to Roderigo. He follows Othello not out of “love” or “duty,” but because he feels he can exploit and dupe his master, thereby revenging himself upon the man he suspects of having slept with his wife. Iago finds that people who are what they seem are foolish. The day he decides to demonstrate outwardly what he feels inwardly, Iago explains, will be the day he makes himself most vulnerable: “I will wear my heart upon my sleeve / For daws to peck at.” His implication, of course, is that such a day will never come.
This speech exemplifies Iago’s cryptic and elliptical manner of speaking. Phrases such as “Were I the Moor I would not be Iago” and “I am not what I am” hide as much as, if not more than, they reveal. Iago is continually playing a game of deception, even with Roderigo and the audience. The paradox or riddle that the speech creates is emblematic of Iago’s power throughout the play: his smallest sentences (“Think, my lord?” in III.iii.109) or gestures (beckoning Othello closer in Act IV, scene i) open up whole worlds of interpretation.
It is too true an evil: gone she is;
And what's to come of my despised time
Is nought but bitterness. Now, Roderigo,
Where didst thou see her? O unhappy girl!
With the Moor, say'st thou? Who would be a father!
How didst thou know 'twas she? O she deceives me
Past thought! What said she to you? Get more tapers:
Raise all my kindred. Are they married, think you?
[…]
O heaven! How got she out? O treason of the blood!
Fathers, from hence trust not your daughters' minds
By what you see them act. (1.1.12)
التعليق
Thought: When Brabantio learns that Desdemona has run off with Othello, he cries out, "Who would be a father!" and wonders "what's to come" of himself. Clearly, Brabantio feels as though his identity as a father and an authority figure have been compromised by Desdemona's elopement, which he interprets as "treason of the blood."
...
Act I, Scene 2:
Othello does not hide but his life on his reputation in regards to his marriage to Desdemona
Not I. I must be found.
My parts, my title, and my perfect soul
Shall manifest me rightly. (lines 35-37)
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