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الموضوع: The return of the native

  1. #1
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    The return of the native

    السلام عليكم ورحمة الله وبركاتة ......تحية طيبة للجميع..
    رجاااء اللي قد درس رواية عودة المواطن يعطيني عنها فكرة بدي شرح مختصر جدا..
    ربي يوفق من يرد علي .....ويجعلة في ميزان حسناتكم ,,اكسبو فيني اجر..

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    رد: The return of the native

    للأسف مادرستها
    بس تقدري تبحثي عنة بالجوجل
    بالتوفيق

  3. #3
    انجليزي مشارك الصورة الرمزية الجنة غالية
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    رد: The return of the native

    جزاااااكي الله خير.......والله بحثت ومالقيتها قلت يمكن ألقاها هنا...
    يعطيكي العااافية خيتووووو

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    رد: The return of the native

    The Return of the Native

    http://en.wikipedia.org/wiki/The_Return_of_the_Native


    Plot Summary

    Book First: the Three Women

    This novel opens with a sweeping view of the Egdon Heath countryside, providing descriptions of the landscape and some sense of its history. In the next chapter, an old man — later identified as Eustacia Vye's grandfather — meets a red dye salesman, known as a reddleman. They briefly discuss Thomasin's marriage, and the old man infers from the reddleman that the wedding has been postponed.

    In town, Thomasin meets her aunt and explains that her wedding was called off because of a mix-up with the license. They go to the tavern and receive assurance from Damon Wildeve, her fiancé, that he will marry Thomasin in a day or two. When the locals show up to sing to the newlyweds, they are forced to pretend that the marriage occurred.

    After everyone leaves that night, Wildeve sees a bonfire up on the hill nearby the Vye house. Eustacia Vye, the exotic beauty who lives there, has heard from her grandfather that the marriage did not take place. She lit the fire, which was not unusual because many people celebrated Guy Fawkes Day with bonfires. Yet this was the same way she had attracted Wildeve the previous year; he had come to her house and they had begun a passionate affair. Confused, he goes to Eustacia again. After his visit, Wildeve decides that he does not want to marry Thomasin after all.

    Diggory Venn, the reddleman, has been in love with Thomasin since childhood. He finds out about Eustacia and tries to get her to leave town. Thomasin's aunt, Mrs. Yeobright, tells Wildeve her niece is thinking of marrying Venn. When she hears this news, Eustacia decides that Wildeve is not as attractive as she had thought; she begins to have doubts about her relationship with him. Meanwhile, news comes that Mrs. Yeobright's son, Clym, has returned from Paris.

    Book Second: the Arrival

    Clym's arrival is important news to the locals, who remember what a bright, promising boy he was. Bored with Wildeve, Eustacia becomes infatuated with Clym. On the night that the drama troupe is going to put on a Christmas play, Eustacia finally meets Clym, although she keeps her identity hidden. She is so preoccupied with Clym that she fails to show up to tell Wildeve whether she will run off with him or not. Diggory Venn pressures her to leave Wildeve alone, and so she writes Wildeve a letter saying that she will not be involved with him anymore.

    As soon as Venn admits that he is not engaged to Thomasin, Wildeve rushes to her house and sets a wedding date. When Thomasin and Wildeve get married, the witness to their wedding is Eustacia Vye — she just happenes to be in the churchyard when a witness is needed.

    Book Third: the Fascination

    Clym's Christmas holiday at home turns into an extended stay. He considers his life in the diamond trade in Paris to be superficial, and formulates a plan to open a school in the heath where he can teach the poor children who otherwise would get no education. He finally meets Eustacia, and is impressed with her beauty and intelligence. He informs his mother that Eustacia could be a part of his heath school.

    Yet in fact, his mother doubts that Clym is serious about being a teacher at all. She accuses him of being interested in the young woman romantically. Eustacia does not like his plan to open a local school either; she sees none of the charm of Egdon Heath, and instead wants to go to Paris with him. When Clym proposes, she accepts, thinking that she can change his mind after their marriage.

    After a fight with his mother, Clym marries Eustacia. In protest, his mother does not even attend. Yet she decides to send a local boy to the wedding with a hundred guineas. On the way, Wildeve dupes the boy into gambling and takes all of the money, which he considers half his anyway; Diggory Venn, who has been following him, gambles with Wildeve and wins the money from him.

    Book Fourth: the Closed Door

    Not knowing that the money was meant for Thomasin and Clym, Venn gives it all to Thomasin. Mrs. Yeobright assumes that Wildeve gave the money to Eustacia, his old lover. Mrs. Yeobright and Eustacia have a bitter argument.

    Studying late into the night to become a schoolmaster, Clym damages his eyes and is told to quit reading for a while. Rather than staying idle, he takes a job as a furze cutter. Being married to a furze cutter is exactly the fate that Eustacia thought she was avoiding by marrying a worldly diamond merchant from Paris. As a result, she is humiliated. Depressed about her life, she goes to a local dance and meets her old flame, Wildeve. He is now rich from an inheritance from a distant relative — just the kind of man she would have wanted to marry. Yet she refuses to get involved with him.

    Wildeve cannot get Eustacia out of his mind. He goes to her house at night, but Diggory Venn plants traps along the path. To avoid Venn, Wildeve goes to the house one afternoon. That happens to be the afternoon that Mrs. Yeobright has decided to visit Clym and Eustacia's house for the first time.

    With Clym exhausted and sleeping on the couch, Wildeve arrives and Eustacia invites him into the living room. Just as they decide that they will not have an affair together, Mrs. Yeobright knocks at the door. Eustacia ushers Wildeve to the back door. When she checks the front door, Eustacia finds that Mrs. Yeobright has left.

    On the way back to her house, Mrs. Yeobright walks with a young boy from the area, Johnny, telling him that her son has broken her heart. He leaves her when she sits down at the side of the trail to rest. That night, after work, Clym decides to visit his mother and settle their differences. He finds her lying on the side of the road, unable to talk. Local people determine that she has been bitten by a snake. They try to cure the bite.

    Meanwhile, Wildeve has returned to the house to say goodbye to Eustacia. She has him walk her to join Clym and Mrs. Yeobright. They come across the people trying to revive the sick women and Eustacia is afraid to let anyone know she is there. Mrs. Yeobright dies, and the boy she was walking with tells Clym that she said that afternoon that her son had broken her heart.

    Book Fifth: the Discovery

    In mourning, Clym is overcome with sorrow and grief until he finds out more about his mother's last day. It is then that he learns that there was another man in the house, and that Eustacia looked out the window at Mrs. Yeobright when she was knocking. He accuses her of having an affair, so she moves back into her grandfather's house. Wildeve comes to her and asks her to go away with him, but she refuses to be unfaithful to Clym. When he asks if there is anything he can do for her, she says he can arrange transportation to the port town of Budmouth, where she can catch a ship.

    Thomasin convinces Clym to forgive Eustacia, but she has already left. That night, Wildeve tells Thomasin that he has to go away for a while; she sees him take a huge roll of bills, indicating that he is going for a long time. Thomasin tells Clym that she thinks Wildeve and Eustacia are running away together. After he goes to stop them, she goes out into the storm too. Lost, she comes across Diggory Venn's wagon and he helps her in the search. Just as Clym finds Wildeve's coach, they hear a body fall into the river near the dam. Both men jump in to save Eustacia. When Venn arrives he jumps in too, pulling out Clym and Wildeve. Wildeve and Eustacia are dead, but the doctor is able to revive Clym. He blames himself for her death in addition to the death of his mother.

    Book Sixth: Aftercourses

    One year later, Clym lives with Thomasin and her daughter in his mother's old house. Diggory Venn has made enough money selling reddle to buy a large dairy farm. He asks Thomasin to marry him, but she thinks that he has become too isolated to be a good husband. Just as Clym is thinking that he should probably ask Thomasin to marry him, she tells him that she would like to marry Venn. Venn and Thomasin marry and Clym becomes a famous preacher.

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    رد: The return of the native

    Characters

    Christian Cantle

    Christian is a shy, ineffectual young man, nervous around women. Entrusted to go to Clym's house on his wedding day and deliver a gift — one hundred guineas that are to be divided between Clym and Thomasin — Christian loses the money to Wildeve in a game of dice.

    Grandfer Cantle

    Grandfer (a title that is local dialect for "Grandfather") represents the lively spirit of the simple country people. At almost seventy, he is eager to dance, sing, joke, and tell exaggerated stories.

    Charley

    Charley is a local man who cares for Eustacia. After Eustacia has argued with Clym and gone back to her grandfather's house, Charley takes care of her. He makes a fire for her and feeds her, and when he sees that she has looked too long and sorrowfully at the pistols, he sneaks through a window and takes them away to hide them.

    Olly Dowden

    A local woman, Olly is a besom maker. Wildeve takes a bottle of wine to her sick husband one night, using the visit as an excuse when he goes to see Eustacia.

    Humphrey

    Humphrey is a furze-cutter. When Clym decides to go into the business of cutting furze, he borrows Humphrey's old equipment.

    Johnny Nunsuch

    Johnny is a young boy who lives near Captain Vye's house. At the beginning of the novel, Eu-stacia pays him to tend the bonfire that she uses to signal Wildeve. He sees Wildeve talking to Eustacia and tells Venn about it. Johnny later walks with Mrs. Yeobright after she leaves Clym's cottage at Alderworth.

    Susan Nunsuch

    Susan is Johnny's mother. A superstitious woman, she believes that Eustacia is a witch and blames her for her children's illnesses.

    Diggory Venn

    Venn is a local man that has been in love with Thomasin since childhood. As such, he frequently works behind the scenes to protect her and assure her happiness. He is called the "reddleman" because he deals in reddle, a dye used by sheep farmers; as a result of handling it, his clothes, skin, and everything he owns are dyed red, giving him a devilish look. It is Venn who brings Thomasin back to town after her marriage to Wildeve is delayed. When he finds out that Wildeve has been seeing Eustacia, Venn pressures him to marry Thomasin; though it means he cannot have Thomasin for himself, it would be the best thing for her reputation. Moreover, he offers to arrange a job for Eustacia so that Wildeve will go back to Thomasin and make her happy.

    After Wildeve wins the money that Christian was supposed to deliver to Clym and Thomasin, Venn wins it back and gives it to Thomasin. When Wildeve has run off with Eustacia, Venn helps Thomasin find them. It is Venn who saves Clym's life by pulling him out of the water. When he has saved up enough money, Diggory Venn quits the reddle business and buys a dairy farm. Eventually he proposes to Thomasin and they marry.

    Captain Vye

    Captain Vye is Eustacia's grandfather.

    Eustacia Vye

    Eustacia is local woman and one of the major characters of the novel. She is exotic, beautiful, ambitious, and eager to leave Egdon Heath. Much of the action in this story revolves around the fact that men find Eustacia so unnaturally attractive that there are even rumors of her being a witch. Born and raised in the seaside resort of Budmouth, Eustacia's father was a musician from the island of Corfu, in the Ionian Sea. Eustacia was educated and raised in a cosmopolitan environment, but after her parents died her grandfather brought her to Egdon Heath.

    She is forced to find the excitement she craves in her relationships with men. She has an affair with Wildeve, but cuts it off after he breaks his engagement to Thomasin. She falls in love with Clym before meeting him, almost solely on the fact that he had a successful career in Paris. While courting, Clym is adamant about the fact that he plans to stay in the country and open a small school, but Eustacia believes she can change his mind later. When Clym takes a job cutting furze, Eustacia resents him.

    Soon after Eustacia marries, Wildeve inherits a fortune. Eustacia feels she has married the wrong man. This feeling intensifies when Clym accuses her of causing his mother's death. Wildeve offers to take her away, but Eustacia insists on remaining faithful to her wedding vows. She does accept a ride to the port town. Tragically, she drowns in the reservoir, and there is a question whether her death might have been a suicide.

    Damon Wildeve

    Wildeve is a wild young man. Engaged to Thomasin, he has a long-standing affair with Eustacia. In fact, he decides to drop Thomasin for Eustacia; instead, Eustacia breaks off their affair and he marries Thomasin. Not surprisingly, he isn't a very good husband. Just as Eustacia is feeling that her marriage to Clym is boring and difficult, Wildeve inherits a fortune; they meet at a dance and find each other exciting all over again. When she separates from Clym, Wildeve offers Eustacia anything that his money can offer, but she declines. At the end of the novel, he drowns in the reservoir trying to save her.

    Clemson Yeobright

    The "native" of the novel's title, Clemson (also known as Clym) is a local boy who has returned to Egdon Heath after a successful career in Paris. He is sick of city life, and looks forward to starting a local school. Not long after he returns, he meets Eustacia and marries her. He thinks that Eustacia supports his plan to start a school, and is shocked when he realizes that she doesn't. While studying to be a teacher, Clym damages his eyes. Because he cannot read until they heal, he takes a job cutting furze, which is what most of the local men do for a living.

    After his mother's death, he feels guilty and blames himself. When he finds out that Eustacia did not let his mother in the house because she was talking with Wildeve, he accuses his wife of having an affair and blames her for his mother's death. After Eustacia's death, he lives with Thomasin and considers marrying her. When he realizes that she will be happy married to Diggory Venn, Clym becomes an open-air preacher and becomes famous by talking to the field workers in language that they understand.


    Mrs. Yeobright

    Clym's mother, Mrs. Yeobright, represents conventional Victorian values in the novel. For example, when Wildeve postpones the marriage, she feels that Thomasin's honor is at stake; to save her niece's reputation, she pressures Wildeve to fulfill his commitment. Mrs. Yeobright also objects to her son Clym marrying Eustacia, considering the young woman a "bad girl." She does not attend their wedding, but gives him his inheritance as a present. When she receives no thanks for it, she reaches the conclusion that Wildeve gave the money to Eustacia. When Eustacia denies knowing anything about it, the two women have a fight.

    To reconcile with her son, Mrs. Yeobright travels to Clym's house, but by mistake, no one lets her in. Mrs. Yeobright walks home feeling that she has been turned away, and on the way a snake bites her. Clym finds her on the path that night, dying.

    Thomasin Yeobright

    Thomasin is Clym Yeobright's cousin. She is in love with the charismatic Wildeve and is disappointed when he puts off their marriage. She considers marrying Diggory Venn, the reddleman who is in love with her. Yet she takes his devotion for granted and is still attracted to Wildeve. Eventually she does marry Wildeve, but their union is not a happy one. After her husband dies, she marries Diggory Venn, who has become a wealthy dairy farmer.

    Media Adaptations

    Return of the Native was adapted as a television presentation for the Hallmark Hall of Fame series in 1994, starring Clive Owen, Catherine Zeta-Jones, and Joan Plowright. The television movie was directed by Jack Gold and released as a video in 1999 by Hallmark Home Entertainment.

    Audio Partners Publishing Company has an unabridged, 12 — tape edition of actor Alan Rick-man reading the novel which was produced in 1999.

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    رد: The return of the native

    Themes

    Time

    The role of time and the effect of its passage are major themes in the novel. As the story spans eighteen months, the landscape of the heath remains unchanged — that consistency is reflected in the people who live on the heath for generation after generation. They are creatures of tradition, following the same wedding rituals, the same harvest rituals, the same holiday traditions and the same folk remedies (such as the traditional cure for an adder's bite) that has been handed down to them. Sometimes traditional beliefs lead to hostility, like the fear of Eustacia Vye being a witch.

    The characters who encounter difficulty are the ones who are not content to live in rhythm with country life. Most notably, Eustacia is impatient with life on the heath, wishing for the "bustle" of Paris. Wildeve is also bored with life on the heath. When he inherits a large sum of money, he plans to tour the world. Clym is the most divided character in the novel; Eustacia assumes that he is too worldly to settle down in the country, but he is able to appreciate the beauty of the land's timelessness.

    [W]hen he looked from the heights on his way he could not help indulging in a barbarous satisfaction at observing that, in some of the attempts at reclamation from waste, tillage, after holding on for a year or two, had receded again in despair, the ferns and furze-tufts stubbornly reasserting themselves.

    Nature

    Hardy introduces his readers to the landscape of Egdon Heath before introducing any characters. This emphasizes the important role that the natural landscape will play in the story. His description of the natural setting can be taken as symbolic of the people who live there — "neither ghastly, hateful, nor ugly: neither commonplace, unmeaning nor tame; but, like man, slighted and enduring." It can also be taken as a simple acknowledgment that people come to resemble the place where they live.

    For instance, the extreme heat of the August day when Mrs. Yeobright is turned away from Clym's cottage may be perceived as symbolic of her turmoil. Hardy addresses this issue directly when he has Eustacia wander out into a violent storm on the night of her greatest mental anguish: "Never was harmony more perfect than that between the chaos of her mind and the chaos of the world without." If the people of Egdon Heath seem carefree, it is because they are comfortable in their surroundings.

    The character who appears to be most in tune with nature's mysteries is Diggory Venn. He does not look like a human because of the red dye that has seeped into his skin and hair, and he does not operate by the rules of human interaction, instead appearing and disappearing mysteriously at night. It is not surprising that in the end he becomes a dairy farmer — making his living with domesticated animals, in harmony with nature but not completely subject to its whims.

    Conscience

    The characters in The Return of the Native are motivated by their consciences more than any other driving force. Their attempts to avoid social confrontation are not guided by concern about what others will think, but by what harm they will do to others. This is evident in the opening chapters, with Thomasin's return after her aborted attempt to be married; although eloping is considered shameful, Thomasin and Wildeve are unconcerned about that social stigma, which is quickly forgotten anyway.

    On the other hand, Wildeve is unwilling to go through with his wedding to Thomasin when he feels that he might end up regretting it and longing for Eustacia. When they do marry, it is not to satisfy the social requirement, but because of Wildeve's failed romantic life. Diggory Venn is driven to assure Thomasin's happiness, passing up opportunities that could benefit him in order to protect her. Telling her about Wildeve's involvement with Eustacia might make her forget Wildeve — thereby clearing the way for him — but Venn cannot hurt her. So he keeps silent.

    Late in the novel, when Eustacia realizes that Wildeve has become the rich, worldly husband that she always wanted, she does not run away with him because she cannot hurt Clym. At her house, he says that he could not abandon his wife either, but later, when Eustacia is leaving town, he is willing to run away with her, still making sure that Thomasin will receive half of his inheritance.

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    رد: The return of the native

    Style

    Point of View

    This novel is told from the third-person point of view, which means that the narrator is a disembodied voice, referring to each character as "he" or "she." However, the narrative is not omniscient. This means that the narrator looks at the story unfolding from different points of view, but when it settles on any particular viewpoint it stays consistent, if only for a short amount of time. When new information is introduced into the story, that information is initially understood only in terms of the narrator's point of view at the time.

    For instance, when Wildeve first appears, readers are not told who he is; his character is revealed by what he says. Clym is a mystery for Eustacia to fantasize about long before his thoughts are related. In fact, even when they do talk outside of the Christmas party, the narrative shifts from her perspective to his then back to hers. Giving readers access to just one person's experience at a time is called "limited omniscience."

    By limiting the flow of information to the reader, Hardy is able to create a sense of mystery in the story. This is accomplished because the motivations and intentions of the characters are not always immediately clear. When Hardy wants to convey theories and opinions, he frequently presents a scene in which several of the local characters are gathered together and talking while doing something else. This occurs in the bonfire scene in the chapter called "The Custom of the Country" and in the later chapter where people gather and discuss the best way to deal with a snakebite. A contrast to this is the scene of hauling the bucket out of the well: general knowledge of the subject of bucket retrieval is conveyed directly from the narrator to the reader here, rather than through the conversation of the locals.

    Structure

    This book was written for magazine serialization, and this is reflected in its structure. Actions occur within specific episodes, and future developments in the story are foreshadowed. Chapters end with lines that are meant to raise curiosity, a technique that is effective to keep readers of novels turning the pages. Moreover, it was meant to inspire excitement so the reader would buy the next month's installment.

    A good example of this technique is when Thomasin returns unmarried from Angelbury. The chapter ends with her aunt asking, "Now Thomasin what's the meaning of this disgraceful performance?" Readers know that the explanation will follow, but it does not follow right away. Viewers of television — where shows are regularly scheduled in weekly installments — are very familiar with this technique.

    Critics have also contended that this book is structured like a Shakespearean drama. Most of Shakespeare's plays were organized in five acts, with a climactic conclusion in the last act. Although The Return of the Native is presented in six books, most critics agree that its artistic structure only requires five — the sixth was added to please general audiences that wanted to see everything turn out all right in the end. A clue to the book's debt to Shakespeare is the reference to King Lear, one of Shakespeare's greatest tragedies, in the introduction.

    Symbolism

    The names of Thomas Hardy's characters are almost always symbolic of their functions within his novels, and the names in The Return of the Native are no exception. "Wildeve" suggests someone on the verge, or eve, of wildness, while his first name, Damon, is commonplace enough to suggest that he will never break out of the mold.

    Eustacia is derived from the word "eustacy," which means a change in the level of the sea all around the world, indicating the immense changes that she is set to bring into the lives of the people on the heath and beyond. It also rings of the prefix "eu-," which has an Latin meaning of "good" and an Old Norse meaning "to want," and from "ecstasy." Her last name, "Vye," indicates the character's combative stance toward the world.

    Clym's last name, "Yeobright," combines the word "yeoman" which indicates a servant or underling with the indication of his natural intelligence, or brightness. There are minor characters here also given names that are common words that appear in dictionaries, such as "Nunsuch" (normally spelled "nonesuch"), "Christian," and "Fairway."

    Setting

    The sweeping topographical and historical description of Egdon Heath that opens this book is considered to be one of the finest extended descriptions in all of English literature. The importance of this setting to the events of the novel cannot be overemphasized. It is the land's flatness and barrenness that has made it useless for development, which means that the civilized world has passed it by. The residents of the heath are isolated and possess their own distinct culture, separate from the rest of the world.

    Eustacia is feared by the ordinary people and alluring to Wildeve and Clym for the same reason, because she keeps herself separate from the ordinary people; she is treated as if she has supernatural powers, as if she can transcend the land's hard demands. Clym is treated as an almost mystical personage because he has been to Paris, even though there is no indication that in Paris he was treated as anything more than a jeweler's clerk. The only way for people of the heath to gain wealth is to inherit it from far away, as Wildeve does, or to earn it in other places, as Diggory Venn does.

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    رد: The return of the native

    دعواتك لي :)

  9. #9
    انجليزي مشارك الصورة الرمزية الجنة غالية
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    رد: The return of the native

    يعطيكي ألف ألف ألف عااااافية خيتووووووو.........ربي يوفقك وييسر أمرك ويحقق لك ماتتمني....
    الله يفرحك زي مااافرحتيني....
    يكفي ماحد عطااني وجة غيرك....

  10. #10
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    رد: The return of the native

    السلام عليكم ورحمة الله وبركاته

    مشكوره وما تقصرين ع المعلومات اللي وفرتيها لنا وو فرتي وقتنا وجهدنا جزاك الله خير ان شاء الله واعطاك ماتتمنيه

  11. #11
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    رد: The return of the native

    , I want the movie of the novel if you can

    or any more details about the novel

  12. #12
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    رد: The return of the native

    , I want the movie of the novel if you can

    or any more details about the novel

  13. #13
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    رد: The return of the native

    شكــــــرا لك

  14. #14
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    رد: The return of the native

    يمنع وضع اكثر من صورة او صور نسائية او صور ذات حجم كبير
    يمنع وضع روابط لمواقع ومنتديات أخرى
    يمنع وضع روابط الاغاني
    يمنع وضع البريد الالكتروني

  15. #15
    انجليزي فعال
    تاريخ التسجيل
    Jan 2011
    الدولة
    IRAQ
    المشاركات
    146
    معدل تقييم المستوى
    79

    رد: The return of the native

    مشكورة وربي يوفقك ويحقق الك امنياتك

المواضيع المتشابهه

  1. Can anyone help me finding me a native speaker as a friend ?
    بواسطة majed في المنتدى English Club
    مشاركات: 19
    آخر مشاركة: 12-11-2007, 07:57 PM
  2. ]~*¤ô§ô¤*~Sweetest love, return again ~*¤ô§ô¤*
    بواسطة J.J في المنتدى English Club
    مشاركات: 14
    آخر مشاركة: 17-11-2006, 01:27 AM

المفضلات

ضوابط المشاركة

  • لا تستطيع إضافة مواضيع جديدة
  • لا تستطيع الرد على المواضيع
  • لا تستطيع إرفاق ملفات
  • لا تستطيع تعديل مشاركاتك
  •